Memphis (of ancient) Eygpt (4)

One of the most noteworthy discoveries was that of the funerary temple of Ne-user-Re, which stood at the base of his pyramid. The plan is interesting, and the granite lotus-bud columns found are the most ancient yet discovered in Egypt. Much of the paving and the wainscoting of the walls was of fine black marble, beautifully polished. An interesting find was a basin and drain with lion's-head mouth, to carry away the blood of the sacrifices. Some sculptures in relief were
discovered, including a gigantic representation of the king and the goddess Isis, which shows that in the early days of the Vth Dynasty the king and the gods were already depicted in exactly the same costume as they wore in the days of the Ramses and the Ptolemies. The hieratic art of Egypt had, in fact, now taken on itself the final outward appearance which it retained to the very end. There is no more of the archaism and absence of conventionality, which marks the art of the earliest dynasties.

We can trace by successive steps the swift development of Egyptian art from the rude archaism of the Ist Dynasty to its final consummation under the Vth, when the conventions became fixed. In the time of Khesekhemui, at the beginning of the IId Dynasty, the archaic character of the art has already begun to wear off. Under the same dynasty we still have styles of unconventional naeveti, such as the famous Statue "No. 1" of the Cairo Museum, bearing the names of Kings Hetepahaui, Neb-re, and Neneter. But with the IVth Dynasty we no longer look for
unconventionality. Prof. Petrie discovered at Abydos a small ivory statuette of Khufu or Cheops, the builder of the Great Pyramid of Giza. The portrait is a good one and carefully executed. It was not till the time of the XVIIIth Dynasty, indeed, that the Egyptians ceased to portray their kings as they really were, and gave them a purely conventional type of face. This convention, against which the heretical King Amenhetep IV (Akhunaten) rebelled, in order to have himself
portrayed in all his real ungainliness and ugliness, did not exist till long after the time of the IVth and Vth Dynasties.

The kings of the XIIth Dynasty especially were most careful that their statues should be accurate portraits; indeed, the portraits of Usertsen (Senusret) III vary from a young face to an old one, showing that the king was faithfully depicted at different periods of his life.

But the general conventions of dress and deportment were finally fixed under the Vth Dynasty. After this time we no longer have such absolutely faithful and original presentments as the other little ivory statuette found by Prof. Petrie at Abydos (now in the British Museum), which shows
us an aged monarch of the Ist Dynasty. It is obvious that the features are absolutely true to life, and the figure wears an unconventionally party-coloured and bordered robe of a kind which kings of a later day may have worn in actual life, but which they would assuredly never be
depicted as wearing by the artists of their day. To the end of Egyptian history, the kings, even the Roman emperors, were represented on the monuments clothed in the official costume of their ancestors of the IVth and Vth Dynasties, in the same manner as we see Khufu wearing his robe in the little figure from Abydos, and Ne-user-Re on the great relief from Abusir. There are one or two exceptions, such as the representations of the original genius Akhunaten at Tell el-Amarna and the beautiful statue of Ramses II at Turin, in which we see these kings wearing the real costume of their time, but such exceptions are very rare.

The art of Abusir is therefore of great interest, since it marks the end of the development of the priestly art. Secular art might develop as it liked, though the crystallizing influence of the ecclesiastical canon is always evident here also. But henceforward it was an impiety, which only
an Akhunaten could commit, to depict a king or a god on the walls of a temple otherwise (except so far as, the portrait was concerned) than as he had been depicted in the time of the Vth Dynasty.